Orchestrate The Facts Of The Impacts And Costs Of Reflections On The Construction Of Voice Parts In Chinese National Vocal Music

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Zhehao Cui , Zhenggang Chen

Abstract

Influenced by numerous factors, such as history, culture, aesthetics, geographical environment, etc., the singing art of Chinese national vocal music has long been restricted to the high-pitched voice parts, and it is in an unbalanced state in the medium and low voice parts compared with the western Bel Canto's domestication of voice parts. The topic of balance of voice parts is a significant part of the singing art of Chinese national vocal music, which should be attached much importance to.


The phenomenon of lack of development of medium and low voice parts in Chinese national vocal music was proposed earlier both in Ma Zixing's article The Orientation and Development of Middle and Low Voice Parts in National Vocal Music in 1998 and Guo Kejian's article Several Singing Modes of Male Voice in National Vocal Music in 1999, and there is no strict division of voice parts in Chinese national vocal music like western Bel Canto. Then in the speech of the China National Ethnic Vocal Music Forum in 2005, Liao Changyong once again raised some problems such as the defects of the construction of voice parts in Chinese national vocal music, which caused more experts and scholars to launch research. It can be said that, the medium and low voice parts of Chinese national vocal music currently play a vital part in the singing art of Chinese national vocal music, which is concerned with the future development of Chinese national vocal music and even the establishment of Chinese vocal music schools.

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