Music Computer Technologies In The Formation Of A Complex Model Of The Semantic Space Of Music (On The Role Of The Sequencer In The Formation Of Figurative And Semantic Spaces)

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Irina B. Gorbunova , Vladimir S. Zobkov , Svetlana V. Mezentseva


The logic of computer musical creativity with the use of a sequencer as a manifestation of a complex model of the semantic space of music is the subject of this work. The importance of developing an integrated model of the semantic space of music is emphasized: a modern concept of understanding the processes taking place in the world of music and computer technologies (MCT). The concept is discussed using an example of an audio sequencer. It is the sequencer that facilitates the existence and development of musical creativity in the modern high-tech music and information space. The possibility of reconstructing the lost or creating a new musical-sound semantic space using a sequencer is analyzed. An example of recreating the semantic space of the Nanai shamanic rite is provided. As a conclusion, authors prove the reconstruction of sound semantic spaces to be appropriate. Such spaces are filled with musical symbols - timbres that combine various semantic components of a ritual action in a single semantic space of a syncretic whole. The article discusses the necessity to study the features of the use of MCT in the practice of modern composition. To solve the issue, the authors propose carrying out a multivariate analysis of the trends existing in this field. The scientific understanding of creative experience, accumulating the interaction of figurative-semantic spaces of sound, visual and other series, all participating in the process of forming a complex model of the semantic space of music, is recognized by the authors as an integral part of such an analysis.

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