Perspectives of Miao's Lusheng Dance at Guizhou, China

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Haitao Wang, Pattamawadee Chansuwan, *Sirimongkol Natayakul

Abstract

This qualitative research aims to study the structure of Miao's Lusheng dance in Qianhu Miao village Guizhou, China and analyzed the interaction between Miao's Lusheng dance in multiple dimensions with Guizhou cultures. Research methods that is the information study of documents. field work. In this study, the population was Miao Lusheng dancer, Director of Miao Village Lusheng Dance Troupe, Lusheng dance teacher etc., and Sampling area of study was Qianhu Miao village Guizhou, China. Research conclusion by descriptive analysis.


The research reveals that Miao's Lusheng dance can be divided into three types: 1) Golden Rooster dance; 2) Drum dragon, drum Tiger-long shirt Dragon; 3) Rolling mountain beads and the structure of Miao’s Lusheng dance including Stage orientation and body movements, Common movements of Lusheng dance, Common music score of Lusheng dance and Common costume for Miao’s Lusheng dance. In addition, the interaction between Miao’s Lusheng dance and Guizhou cultures can provided on 4 points: 1) For Guizhou people; 2) For Qianhu Miao villagers; 3) For Guizhou economy; 4)  For Guizhou cultural policy.

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